Date |
The Band |
The Setup |
The Punch |
The Dirty Little Secret |
Tuesday 23
Bottom of the Hill, doors 8pm, show 8:30pm; all ages; $7 |
Jimmy Eat World |
Post-grunge power alternative quartet from Tempe, Arizona, via Capitol Records |
Favorite lyric from 1996's Static Prevails: "We'll dance off time to the songs that we've never liked/And sing offkey, thinking it sounds all right" |
New album, released this month, produced by the man who unleashed Blink 182 on an unsuspecting public |
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Sense Field |
SoCal five-piece filters and flattens '80s New York hardcore sounds and ideas with '90s Orange County "punk" |
Another painful day on the Vans Warped Tour |
Once falsely rumored to be a Christian band |
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Crumb1 4 |
Cute and unabashedly overproduced rockers with chronic record company problems; friends with Jimmy Eat World, Knapsack and That Dog |
Last two albums released on two different major labels |
No label home for next record |
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Gardener |
Handicapping info unavailable |
Even odds |
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Wednesday 24
Bottom of the Hill, doors 8pm, show 8:30pm; 21 and over; $7 |
Imperial Teen4 |
Cynical pop via S.F. foursome with good scene-making social skills |
This handicapper's knee-capping opinion firmly established; reserving further judgment for imminent second record |
Dubious local pedigree includes Faith No More and Sister Double Happiness |
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Push Kings4 |
San Francisco--formerly Boston--quartet chews bubble gum for breakfast and sings harmony for the rest of the day |
What the Beatles might have sounded like if all four lads were named Paul |
The Hanson of indie rock |
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Dealership4 |
Above-average fuzzy-punky-poppy Bay Area trio mining Pixies/Nirvana canon |
Vocal melodies even strong enough to cover up clunky lyrics like "Fruition's not the perfect way to end all adolescent crushes" |
Too nice for secrets |
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Openers TBA |
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Thursday 25
Bottom of the Hill, doors 8pm, show 8:30pm; all ages; $7 |
764-Hero |
Seattle band's second full-length, Get Here and Stay, swims smooth seas on clever guitar, understated drums and suggestively simple lyrics |
Former Built to Spill sound-alikes finally developing unique identity |
Named after Seattle phone hotline to report carpool lane violators |
|
Red Stars Theory |
Somnambulant Northwest trio featuring members of semi-hemi-demi stars Modest Mouse, Lync and Statisfact |
Long, dreamy songs with more movements than the SF Symphony's fall program |
After recent signing to Chicago's Touch & Go, maybe more than just a side project |
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The Aislers Set4 |
Local indie supergroup fronted by ex-Henry's Dress Amy Linton and backed by members of Track Star, Poundsign and Scenic Vermont |
Ignore "local indie supergroup" oxymoron; this is insular, Velvety music for long novels and rainy San Francisco days |
Way better than the sum of its parts |
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Fiver |
Modesto indie five-piece (duh) titled first record Eventually Something Cool Will Happen |
Still waiting for album's promise to pay off |
None |
Friday 26
Great American Music Hall, doors 7:30pm, show 8pm; all ages; $10 |
Creeper Lagoon1 4 |
Last year's S.F. version of Next Big Thing arrives with I Become Small and Go; christened "best new artist" in Spin's 1998 readers poll |
Same readers called Third Eye Blind "most underrated artist" |
Used to really suck |
|
Grandaddy |
Small independent label Will released Stockton popster's moody and nostalgic Under the Western Freeway in 1997 |
Majors V2 deservedly rereleased same record last year |
Unnatural affinity for foliage |
|
Death Cab for Cutie |
Pleasantly melancholic songs courtesy electronic piano, organ and cello; singer delivers vocals like folk-pop maestro Elliott Smith |
Proof that Bellingham, Washington, produces more than garage rock and rampant alcoholism |
Great band name comes from obscure phrase on Magical Mystery Tour |
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Rodriguez |
Spare, but good, hodgepodge of achy violins, breaky vocals and waltz times |
Central Valley trio with a few Parsons- period Byrds records in their collections |
California breadbasket good for more than artichokes, garlic and other assorted produce |
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Glasstown4 |
S.F. quintet tenders poppy orchestrations, whiny Neil Young vocals, and killer French horns |
Indicative demo tape song title: "You and your potential" |
None |
Saturday 27
Bottom of the Hill, doors 1:30pm, show 2pm; 21 and over; $7 |
Murder City Devils |
Lead singer Spencer Moody references Night of the Hunter and eulogizes New York Doll Johnny Thunders; once dubbed "The Truman Capote of punk" |
Subtle, "subtle like a T-Rex"; Sub Pop record Empty Bottles, Broken Hearts = The Stooges' Fun House with a Farfisa |
Hometown Seattle hardly "Murder City"; band members reportedly not "Devils" |
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Kingdom First4 |
San Francisco five-piece making sludgy garage rock with amphetamine tics to Iggy, Angus and the White Panthers |
Catharsis on a stage |
Ferocious singer Matt Jervis actually a personable fellow |
|
Magnolia Thunderfinger |
Hot-roddin' Sacramento quartet revs well-researched greaser rock |
Kinda like Social Distortion: You love it or you don't |
Played 72 shows last year |
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Me First4 |
Pop-punk rock foursome with "two chicks, two dicks" |
Said chicks sing; said dicks play guitar and drums |
Consciously trying to shed "girl band" rep |
Saturday 27
Cafe Du Nord, doors 4pm, show 4:30pm; 21 and over; $5 |
Track Star4 |
Sensitive S.F. trio hit essence of Sturm und Drang lo-fi on 1995's Sometimes, What's the Difference? EP |
Sensitive S.F. trio hit essence of Sturm und Drang lo-fi on 1995's Sometimes, What's the Difference? EP |
According to Wyatt Riot fanzine, singer/ guitarist Cusick owns Superman bedsheets |
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I Am Spoonbender4 |
Local four piece's debut Sender/Receiver a pastiche of harsh post-punk guitars, dubby bass and jumpy synthesizers |
"Avant-rock" just another way of saying "difficult" |
Time keeper Dustin Donaldson published that Metallica Drummer video |
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Openers TBA |
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Saturday 27
Bimbo's, doors 7pm, show 8pm; 18 and over; $15 |
Guided by Voices |
Constantly in flux Dayton, Ohio, group beloved for both inscrutable pop gems and drunken Roger Daltrey-style stage antics |
Rare proof that playing in a basement and releasing records to your friends for 10 years will actually get you somewhere |
Haven't made a coherent record since 1995's Alien Lanes |
|
Beulah1 4 |
First album recorded on four-track by two mail boys and a violinist; soon-to-be released second credits 23 players |
Local miners off to see the elephant at the Beach Boys-Beatles Comstock lode |
Singer Miles Kurosky2 wants to father "Orch Rock" movement on next record |
|
Snowmen4 |
San Francisco sketches on Last Days of the Central Freeway employ a winning combination of washy, open-tuned full-band numbers and weird solo four-track experiments |
Quiet, understated production tricks courtesy of the Snowmen and Fuck's Kyle Statham |
Frontman Cole Marquis the Methuselah of S.F. scene |
|
Lunchbox4 |
San Francisco everyband with jangly oooohs, cool guitars and taut drumming; married couple shares singing duties |
Mediocre another word for boring |
1,000 bands considered naming selves Lunchbox; 999 reconsidered |
Sunday 28
Bottom of the Hill, doors 2pm, show 2:30pm; 21 and over; $8 includes all-you-can-eat barbecue |
Fastbacks |
Bouncy Seattle trio formed in 1979; still cranks out more hooks than a Cheap Trick cover band |
The soul of the Noise Pop Fest seven years running, even though last year's show foolishly ill-attended |
Guitarist Kurt Bloch--along with Sub Pop honcho Jonathan Poneman--once played in a Cheap Trick cover band |
|
Alien Crime Syndicate |
Singer Joe Reineke and drummer Shawn Trudeau once comprised two-thirds of early '90s S.F. noise pop über band the Meices |
Alien Crime Syndicate in sounds and themes, still the embodiment of the San Francisco sound circa 1993 |
Hard-drinking Meices once banned from Bottom of the Hill |
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Bracket |
Handicapping info unavailable |
Even odds |
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Bitesize |
Handicapping info unavailable |
Even odds |
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Sunday 28
Bottom of the Hill, doors 8pm, show 8:30pm; 21 and over; $7 |
Oranger3 |
Last year--as a four-piece fashioned from Overwhelming Colorfast leftovers--a banal altrock band |
This year--as a trio and on debut record Doorway to Norway--a wonderfully psychedelic rock outfit with overtures toward Flaming Lips, Beach Boys and the Who. Darlings of the San Francisco local band circuit, cf. Creeper Lagoon 1998 |
Ditched a bassist and got good |
|
Sixteen Deluxe |
Austin, Texas, group traffics boy-girl vox, swirly My Bloody Valentine guitars and stunning film projections at live shows |
Great movie, underwhelming soundtrack |
Left "live music capital of the world" to record last album in San Francisco |
|
¡Carlos!4 |
Noise Pop mainstays played first fest seven years ago |
History lesson: A living, breathing band that can actually remember a time when Upper Haight rocked |
Thirsty Swede gig in '94 rumored "best show ever" |
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The Elevator Drops |
Boston pop-psych trio sings about Jackie O., the Unabomber and Gary Newman |
Flaming Lips + media culture preoccupations not necessarily a bad thing |
"Be a Lemonhead (Beautiful Junkie)," 1996, a more sprightly and sarcastic heroin song than that Dandy Warhols ditty |