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Shakespeare For Starters
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A brief glimpse into the not-so-confusing world of Shakespeare By Karen Reardanz
THE THOUGHT OF SHAKESPEARE strikes fear into the hearts of many--it conjures sweaty palm-inducing notions of doths and thees, stodgy Brits and morality-heavy plots you need a Ph.D. and good crib sheet to wade through. But there's a bevy of theatrical joy in the world of the Bard, and this year's Shakespeare Santa Cruz lineup is living, breathing proof. With plots that are easier to decipher than an X-Files episode and storylines richer in imagination than a host of vapid summer blockbusters, this 1998 Shakespeare Santa Cruz roster is shining theatrical proof that there's an accessible supply of delight in Shakespearean prose. So for those who missed a chapter or two of Willy's finest moments, we shall, as they say in the world of hip-hop, break it down.
Much Ado About Nothing
Othello
Iago, "honest Iago" as he's so often called, is the stage manager and Othello the managed in what is seen as one of the Bard's most intimately tumultuous plays. Othello, the powerful, handsome and brave soldier, marries the young and naive Desdemona. Soon, however, their newly-wed bliss is wrestled to the ground by Iago, a green-eyed monster in human form, who seems to take as much pleasure from cuckoldry as he does from doing the nasty. Jealous of the couple's relationship as well as Othello's position of power, Iago spins a web of lies that soon entangles all the players and, of course, explodes in disastrous results. After all, what Shakespeare tragedy would be complete without disastrous results?
The Marriage of Figaro
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